Diskussion:Patricia Highsmith

Der deutsche WP-Artikel sagt ja fast nichts über ihre Persönlichkeit.

Deshalb hier der entsprechende Abschnitt aus der englischsprachigen WP:

Personal life

According to her biography by Andrew Wilson, Beautiful Shadow (2003), Highsmith's personal life was a troubled one; she was an alcoholic who never had an intimate relationship that lasted for more than a few years, and she was seen by some of her contemporaries and acquaintances as misanthropic and cruel. She famously preferred the company of animals to that of people and once said, "My imagination functions much better when I don't have to speak to people."

She loved cats. She bred about three hundred snails in her garden at home in Suffolk, England.[11] Highsmith once attended a London cocktail party with a "gigantic handbag" that "contained a head of lettuce and a hundred snails" who she said were her "companions for the evening".[11]

"She was a mean, hard, cruel, unlovable, unloving person", said acquaintance Otto Penzler. "I could never penetrate how any human being could be that relentlessly ugly."[12]

Other friends and acquaintances were less caustic in their criticism, however; Gary Fisketjon, who published her later novels through Knopf, said that "she was rough, very difficult... but she was also plainspoken, dryly funny, and great fun to be around."[12]

Highsmith had sexual relationships with women and men, but never married or had children. In 1943, she had an affair with the artist Allela Cornell (who committed suicide in 1946 by drinking nitric acid)[13] and in 1949, she became close to novelist Marc Brandel. Between 1959 and 1961 she had a sexual relationship with Marijane Meaker, who wrote under the pseudonyms of Vin Packer and Ann Aldrich but later wrote young adult fiction under the name M.E. Kerr. Meaker wrote of their affair in her memoir, Highsmith: A Romance of the 1950s.

In the late 1980s, after 27 years of separation, Highsmith began sharing correspondence with Meaker again, and one day she showed up on her doorstep, slightly drunk and ranting bitterly. Meaker once recalled in an interview the horror she felt upon noticing the changes in Highsmith's personality by that point.[14]

Highsmith was a "consummate atheist". She was never comfortable with black people, and she was outspokenly anti-semitic – so much so that when she was living in Switzerland in the 1980s, she invented nearly 40 aliases, identities she used in writings sent to various government bodies and newspapers deploring the state of Israel and the "influence" of the Jews.[15] Nevertheless, some of her best friends were Jewish, such as authors Arthur Koestler and Saul Bellow. She was accused of misogyny because of her satirical collection of short stories Little Tales of Misogyny.

Highsmith loved woodworking tools and made several pieces of furniture. She worked without stopping. In later life she became stooped, with an osteoporotic hump.[3] Though her writing – 22 novels and 8 books of short stories – was highly acclaimed, especially outside of the United States, Highsmith preferred for her personal life to remain private. She had friendships and correspondences with several writers, and she was also greatly inspired by art and the animal kingdom.

Highsmith believed in American democratic ideals and in the promise of U.S. history, but she was also highly critical of the reality of the country's 20th-century culture and foreign policy. Tales of Natural and Unnatural Catastrophes, her 1987 anthology of short stories, was notoriously anti-American, and she often cast her homeland in a deeply unflattering light. Beginning in 1963, she resided exclusively in Europe. In 1978, she was head of the jury at the 28th Berlin International Film Festival.[16]

Michael Kühntopf (Diskussion) 17:05, 4. Feb. 2015 (CET)

Und hier gibt es dazu Belege ohne Ende: Joan Schenkar, Die talentierte Miss Highsmith, Zürich 2015. -- Michael Kühntopf (Diskussion) 02:17, 11. Mär. 2015 (CET)